RED · Cinema Camera
RED KOMODO 6K
The RED KOMODO 6K packs genuine RED cinema image quality—including REDCODE RAW and a global shutter—into a surprisingly compact, run-and-gun body.
Specifications
| Sensor | 6K Super 35 Global Shutter CMOS (19.9MP) |
|---|---|
| Max Resolution | 6144 x 3240 at 40fps |
| Lens Mount | Canon RF |
| Dynamic Range | 16+ stops |
| Recording Media | CFexpress Type A |
- 6K RED Global Shutter sensor (19.9MP)
- Compact carbon fiber monocoque body (~2 lbs)
- Canon RF lens mount native compatibility
- Internal ND filter (2-2048x adjustable)
- REDCODE RAW and Apple ProRes recording
- Dual native ISO (800/3200)
- 6K up to 40fps, 2K up to 120fps slow motion
- USB-C, mini-XLR audio, and CFexpress Type A slot
Pros
- ✓ Extremely compact and lightweight for a cinema camera
- ✓ Global shutter eliminates rolling shutter artifacts
- ✓ Built-in ND filter saves rig space and cost
- ✓ Excellent dynamic range for the sensor size
- ✓ RF mount allows flexible lens adapter options
- ✓ Rugged magnesium/carbon fiber construction
Cons
- ✕ Limited native lens ecosystem compared to PL/EF
- ✕ Smaller sensor than RED Monstro or Komodo-X
- ✕ No built-in EVF, requires external monitor
- ✕ Battery life is short during heavy 6K RAW recording
- ✕ Menu system has a learning curve for beginners
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The RED Komodo 6K is a compact cinema camera built for filmmakers who need professional-grade image quality without the bulk of traditional cinema rigs. Housed in a rugged magnesium alloy body, this Super 35mm sensor camera captures stunning 6K resolution footage at up to 40 frames per second, delivering the kind of dynamic range and color science that has made RED a trusted name in Hollywood productions. Weighing in at just under two pounds, the Komodo brings genuine cinema camera capability to a form factor small enough for gimbal work, drone mounts, and run-and-gun documentary shooting, making it a favorite among independent filmmakers, commercial directors, and content creators who refuse to compromise on image quality. At the heart of the Komodo 6K is RED's proprietary REDCODE RAW compression, which allows cinematographers to capture uncompressed-quality footage while keeping file sizes manageable for demanding production schedules. The camera records internally to CFast 2.0 cards, eliminating the need for external recorders in most shooting scenarios, and offers a global shutter that virtually eliminates rolling shutter distortion during fast motion or handheld sequences. With a native RF lens mount, the Komodo integrates seamlessly with Canon glass while also accepting PL and other mounts through adapters, giving cinematographers flexibility to build out their preferred lens kit without being locked into a single ecosystem. Built with real-world production demands in mind, the RED Komodo 6K features a top-mounted control panel with an integrated touchscreen, simplifying operation for solo shooters and small crews who need quick access to settings without hunting through complex menus. The camera supports RED's IPP2 image processing pipeline, giving colorists extensive latitude in post-production grading sessions, whether the final deliverable is destined for streaming platforms, theatrical release, or broadcast television. Battery life, thermal management, and a robust accessory ecosystem including cages, monitors, and follow focus systems round out a camera designed to perform reliably on set, whether mounted on a Steadicam for a narrative feature or strapped to a drone for aerial cinematography on a commercial shoot.
Customer reviews
I've used this on three indie features now. The global shutter is a game changer for handheld and gimbal work, and the RAW footage grades beautifully. Can't believe how small this camera is compared to my old RED rigs.
Image quality is stunning and the built-in ND is so convenient on location. My only gripe is I need at least 4-5 batteries for a full shoot day in 6K RAW.
Pairs great with our RED Monstro as an A/B cam setup thanks to matching color science. The compact size means we can get shots in tight spaces that were impossible before.
Coming from a Blackmagic setup, this camera's dynamic range and color science are on another level. The RF mount also let me reuse my Canon glass immediately.
